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experience and ecological effects. The panellists discuss how nature mediated via cinematic illusion can stimulate reflection and explain how temporalities, modes of perception and ecological horizons of
Section: FB9
India. The central point of investigation is whether and in what ways popular forms of postural yoga can be considered as a cultural site that influences participants, their life-style and response to challenges
studies, offering classes in study techniques and academic work for non-native German speakers. You can find further information on offerings on their Website: http://www.uni-bremen.de/kompass Gender Delegate
15:00 mins | Home Stories | Matthias Müller | D 1990/1991 | 6:00 mins | L'axe du mal | Pascal Lièvre | Can/F 2003 | 5:45 mins | Lulu | Zoltan Spirandelli | BRD 1986 | 3:00 mins | Outer Space | Peter Tscherkassky
political, social, and scientific discourses. Further, it aims to outline new areas of thinking, which can serve as the experimental basis of an alternative, non-essentialist form of theology (of religions)
positionalities. It tells of silences, shame, anger, and grief in the face of epistemic violence. How can forms of knowledge be decentered in a politically heated debate? What does it "cost" - emotionally
and 1950s, a time of political and social upheaval. According to our thesis, transitional comedies can be analyzed as a missing link and in this sense present a broad spectrum from NS conforming up to [...] photographs of utility or advertising media. Some get to an iconic or fetishized status. For sure, they can be compared to an inspection of meat: the display cabinet is showing the film at his site-cut, just [...] my study will chart and establish the emergence of a Feminist Cinematic Resistance Movement that can be seen as an anti-fundamentalist "cinema for change" - one that is pioneered by Muslim women from
industry, this also involves socio-cultural and political discourses. Video games and video game cultures can be understood as expressions of globalized media cultures. However, they also have to be perceived
working out the characters’ opposing conceptions of nature. In her talk, Tina Kaiser asks how cinema can sensitize its audience to ecological issues. Press Commentary: “One of the most beautifully composed